He really has this idea of a comical vision, even of the divinity and certainly of the cosmos. So that difficulty should go away in the sense that the tragic is really part not an end, not a final vision, but part of a larger discourse that Dante will go into, which is a comical idea. And the difficulty of the enterprise has to do, first of all, with the fact that this is a comedy. As soon as I say that, you might wonder, you probably should wonder, about the difficulty of such an enterprise. This is - I hope to argue with you that - I will be arguing exactly, this is a tragic representation. Professor Giuseppe Mazzotta: We are going to try to finish with Inferno today and I would like to look at the last Cantos XXX, XXXI, XXXII maybe a little bit, XXXIII for sure, and there are a couple of details in XXXIV.įrom one point of view, I’ll be talking about Dante’s tragic mode at the bottom of Hell. Dante in Translation ITAL 310 - Lecture 9 - Inferno XXX, XXXI, XXXII, XXXIII, XXXIVĬhapter 1.
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